Showing May through June 2026
86 Roslyn Avenue, Sea Cliff
This body of work explores how emotion can be built, shaped, and experienced through color and form. Each painting begins intuitively, guided by an internal sense of what feels present in the moment—certain colors, gestures, or spatial relationships that carry some kind of emotional weight.
As the work develops, that instinct shifts into a more deliberate process of composition. Layers are added, removed, and reworked over time, allowing the painting to evolve into a carefully balanced environment. Color becomes the primary force—activating contrast, softness, and harmony—while shape and line guide the viewer’s movement through the piece.
The paintings are created slowly, often over the course of months or longer, resulting in surfaces that hold a history of decisions. What remains is an ecosystem of forms—interconnected, responsive, and in conversation with one another.
Rather than presenting a fixed narrative, these works are meant to be felt. They invite the viewer into a sensory experience where emotion is not explained, but encountered.
Showing May through June 2026
86 Roslyn Avenue, Sea Cliff
This body of work explores how emotion can be built, shaped, and experienced through color and form. Each painting begins intuitively, guided by an internal sense of what feels present in the moment—certain colors, gestures, or spatial relationships that carry some kind of emotional weight.
As the work develops, that instinct shifts into a more deliberate process of composition. Layers are added, removed, and reworked over time, allowing the painting to evolve into a carefully balanced environment. Color becomes the primary force—activating contrast, softness, and harmony—while shape and line guide the viewer’s movement through the piece.
The paintings are created slowly, often over the course of months or longer, resulting in surfaces that hold a history of decisions. What remains is an ecosystem of forms—interconnected, responsive, and in conversation with one another.
Rather than presenting a fixed narrative, these works are meant to be felt. They invite the viewer into a sensory experience where emotion is not explained, but encountered.
